" Indeed, none of the outtakes lifted from what we know generate more than fleeting intrigue. But on the whole, it reads kinda like someone just wanted to sit on the fence about this album and write some very flourishy and poetic lines with tons of idioms, metaphors, and references without actually delving into any of the songs. This article is very interesting, with some really cool titbits of information.
#CANCIONES DE DAFT PUNK RANDOM ACCESS MEMORIES ARCHIVE#
The ULTIMATE comprehensive list of ALL Daft Punk music (including Thomas and Guy-Man solo careers and produced for) by /u/SOLLAZZATORE As of Jan 25 2019Īlive 2017 rumors and discussion thread archive
To use spoiler tags use the following format: (/s "Daft Punk are robots.") No links to the selling of merchandise.Collaboration posts are fine when activity around Daft Punk is low.Approved unmasked threads will have the "unmasked" flair. The invasive photos are when Thomas and Guy-Man are walking around doing their daily activities like normal people and not purposefully being in the public eye. Specifically, events where Thomas and Guy-Man are going into the public eye where they will know themselves that they will be photographed is okay (for example, Thomas going on the red carpet with his wife where he knows he'll be photographed). Pictures before the "Discovery" era is okay. No paparazzi photos or tabloid photos of Daft Punk unmasked.Re-posts within the first 3 months will be subject to removal.Memes can be removed upon the individual mod's discretion. Memes are allowed and approved memes will be tagged with the "Meme" flair.Posts must be relevant to Daft Punk, its members, or their side-projects.Please follow reddiquette when posting and voting.Rarely do artists nail a specific feeling with such mathematical exactitude perhaps Daft Punk are robots after all.The official reddit for fans of Daft Punk and their music. What’s remarkable is that it’s just as powerful on the umpteenth listen. They introduced Italo icon Giorgio Moroder to a new generation that hadn’t even been born by his ’70s heyday, helping kick off the decade’s disco revival with Pharrell Williams and Chic’s Nile Rodgers, they came up with the joyful, effervescent “Get Lucky”, a song so effortlessly delectable that hearing it for the first time was like being reacquainted with a childhood friend. Yet once again, even as the culture was trending in one direction, they feinted left: Their 2013 album, Random Access Memories, released at the height of the EDM boom, all but abandoned obvious digital trappings in favour of slinky organic disco played by real human musicians. Not only did Daft Punk help popularise electronic music, but their legendary 2006 Coachella performance from inside a neon pyramid helped set the stage for EDM’s turn toward hi-def spectacle in the 2010s. With songs like “One More Time”, Daft Punk proved their unrivalled ear for a platinum hook a cut like “Robot Rock”, meanwhile, was pure alchemy, turning a forgotten hard-rock obscurity into an unforgettable anthem. A pattern emerged: Dance music purists were initially aghast, yet both records quickly rewired the collective consciousness, paving the way for crate-digging iconoclasts like Justice and Kanye-and minting a fair number of stone classics in the process. But Daft Punk didn’t linger on their creation their next two albums, 2001’s Discovery and 2005’s Human After All, largely abandoned house and disco in favour of audacious sample flips from obscure ’70s rock and funk. Such sound-sculpting helped give birth to the “French touch”, a wildly influential production style whose luxe detailing continues to resonate through dance music decades later. The duo’s innovation was to take the wriggly, rough-hewn style-a descendent of disco, rooted in Black and queer communities in America’s cities-and sand down its edges, giving looped funk basslines both sensuous heft and Gallic panache. Shortly after, in 1993, the two regrouped as Daft Punk, trading their guitars for synths and samplers, and paying homage to the silky, hypnotic thump of Chicago house. Parisian natives Guy-Manuel de Homem-Christo and Thomas Bangalter, born in 19, respectively, met in school and played briefly in a rock band, Darlin’, with future Phoenix member Laurent Brancowitz. Few acts have done as much to translate electronic music’s sometimes arcane pleasures to pop’s broadly universal contours.
Daft Punk may pretend to be robots-their gleaming cyborg helmets are among the most recognisable silhouettes in modern music-but it’s the French duo’s warm, clearly human hearts that make them so beloved.
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